TV

Russ’ 2011 Top TV & Movie Moments

With 2011 wrapped up I was all ready for my annual top 10 lists for best movies and best TV shows.

Well … through a combination of not enough time to get to everything I want to see — I knew fatherhood would slow me down somewhere — and a rather lackluster year of entertainment, I’ll be mixing things up this time around.

Rather than my usual top 10 in each category — TV and movies — what follows is a top 10 list of my favorites — TV, movies, moments and performances — all rolled up into one list. Starting with …

10. James McAvoy and Michael Fassbender in X-Men: First Class – Through  the first three X-Men movies, Patrick Stewart and Sir Ian McKellan raised the characters/performances of Professor X and Magneto to iconic status. The odds of any actors slipping into the earlier life roles — and doing the characters justice — were remote at best. And yet both McAvoy and Fassbender brought the goods, making us believe those formative years were utterly real and how and why they developed into the elder versions of themselves we’re tied to forever.

9. Melissa McCarthy in Bridesmaids – A pretty funny movie in its own right, but Melissa McCarthy steals every scene she’s in. I’ll never look at a bridal shop sink the same way again.

8. Skyscraper Climb in Mission Impossible: Ghost Protocol: I did not like any of the first three MI movies, and Tom Cruise over the years went from movie star to raging D-Bag … and then MI4 hit the theater with a bucket full of holy crap! A generic plot and generally wooden performances, but this movie is two hours of heart pounding action that had me sucked in from the get go. And yet the ultimate show-stopper was watching Cruise’s Ethan Hunt scale the Burj Khalifia in Dubai –the world’s tallest skyscraper – in an aerial scene so visceral and extraordinary I almost blacked out. I don’t know how they pulled it off, but it’s not to be missed.

7. Brad Pitt in Moneyball – It’s tough enough selling a movie about baseball statistics and how they changed the way — to some degree at least — the modern ball club is constructed. But Brad Pitt playing real life general manager Billy Beane brings the goods, with his movie star looks and charm and the right mix of confidence and wounded soul that makes us care just that much more about a boys game run by very wealthy men.

6. Dexter, Season 6, Final Moment – The former best show on TV has become a shell of it’s former murderous self, but (SPOILER ALERT) the final moment of season 6, when our beloved serial killer is plunging his knife into the Doomsday Killer, and Dexter’s sister Deb walks in on him committing the act? FREAKIN. AWESOME. It was a long time coming, and now the final two seasons have an end game in sight we can all sign up for.

5. Boardwalk Empire, Season 2, Final Two Episodes — Though a solid show, Boardwalk Empire has never quite lived up to its hype and potential. But the last two episodes of season 2 is some of the best TV … ever. Intense, shocking and utterly gripping. The layers of psychological madness and intrigue still haunt me weeks later. I’m not saying it’s the best crime show you’ll ever see, but the ending of season 2 would be difficult for any show to top.

4. Homeland, Season 1 – Hands down one of the best political thrillers of all time, with writing and performances that knock your socks off, particularly from Claire Danes and Damian Lewis. From the creator of 24 and former show runner of Dexter, you’ve  got a returned Iraqi war vet — back after 8 years of brutal captivity — trying to resume  a ”regular” life. But has he been secretly converted into a terrorist against the U.S.? Or is the lone CIA operative who’s convinced of his betrayal falling victim to her own mental illness? Or both? Or neither? Tense, intense and just downright amazing.

3. Rooney Mara in The Girl with the Dragon Tattoo – I’m a huge David Fincher fan, and Dragon Tattoo is another winner on his resume. But Rooney Mara sells this movie. She was so utterly brilliant in a grueling role, that it will go down as one of the most iconic performances in history. Like Christopher Waltz in Inglurious Basterds or Anthony Hopkins as Hannibal Lecter, it’s impossible for me to even imagine anyone else sinking into the character of Lisbeth Salander better than Rooney Mara. If she doesn’t win an Oscar, then Oscar should pack up his crap and go home.

2. Breaking Bad, Season 4 – The ultimate high stakes game of chess between high school chemistry teacher/turned meth genius Walter White, and mob kingpin Gus Fring, ended in a battle of wits we haven’t seen Kirk vs. Kahn. Even more so, watching Walt’s wife slowly fall in love with the gangster life, as his protege Jesse struggles to retain his soul despite all the awful things he does, and before our very eyes we’re watching Walt become a modern day Scarface. With only 16 episodes to go, this series can only end one way: with everyone finally breaking bad.

1. Game of Thrones, Season 1 – Essentially, this is a sexy, twisty, bloody, action-packed soap opera version of Lord of the Rings. So, yeah … full blown AWESOME. Going in I had absolutely no interest in Game of Thrones, but by the end of the second episode I was hooked. And it only got better from there. More than just epic fantasy, it’s juicy storytelling on a massive scale. Run, don’t walk. It’s that good.

 

 

Honorable mentions:

The Big Bang Theory, Modern Family, The Good Wife, Rise of the Planet of the Apes

 

 

 

My Pavlovian Batman Response

One day after school, I was only in pre-K at the time, and I was on my way home on the bus. The day was slightly overcast, but I didn’t care. I only had one thing on my mind: get back in time to watch my favorite show.

Do you remember the theme song?

Denna-nenna neh
Denna-nenna neh
Batmaaaaan

It was the cheesy POW! OOF! Adam West Batman, and I freakin’ loved it.

But in one of those rare scheduling snafus, when the bus driver was set to drop me off at the stop, my mom wasn’t there.

 Not good.

 We waited a minute, but then had to move on. More stops to make.

 I didn’t say much, I just sat there on the bus, four years old, not sure what to do. Since this was 1975, in a world before cell phones, the driver took me with him to his other stops, and each time those doors opened and closed—farther from home—I had two thoughts: where’s Mommy and … I’M MISSING BATMAN!!!!!!!!

 Of course, as an adult, the new incarnations of Batman are far more sophisticated than the original show. Michael Keaton’s first Batman movie put the Caped Crusader back on the map. The sequel, Batman Returns, was lousy. And despite its flaws, I enjoyed the Val Kilmer-led Batman Forever, and then the movie franchise just collapsed with the final (and awful) Batman & Robin, with George Clooney and Arnold Schwarzenegger.

Then the animated Batman returned with a darker, more serious edge, and my hero was back again.

And now we’ve got Batman Begins and epic The Dark Knight from the team of Christian Bale and Christopher Nolan, and Batman is cooler than it’s been, maybe ever. Not to mention The Dark Knight Rises is still on its way.

And yet … as my mother often reminds me, when I was that young boy, no matter where I was or what I was doing, as soon I heard that theme song, I would stop whatever I was doing … and freeze.

My eyes would just light up as I heard:

Denna-nenna neh
Denna-nenna neh
Batmaaaaan

 

With a Pavlovian response, to this day, I’m no different.

Funny how some things never change. In this case, I’m totally OK with it.

Batman lives on.

And by the way, on that day back in 1975, the bus driver circled back to my stop, my mom was waiting for me, and I was able to catch the second half of Batman, with action in the Bat Cave, which, of course, was better than not seeing it all.

Russ’ Review: The Good Wife, Season 1

My initial reaction to The Good Wife, before even having seen it was, meh. Not interested. But then I kept hearing how great it was, so I gave it a shot. Having watched all of Season 1, I can say that the quality of the shows is somewhere in the middle.

What Works: The chemistry between the characters is generally good, and the actors all do pretty well with their roles. There’s good tension between the characters and as the season progressed the relationships started to develop. There’s also good, inherent drama with the premise. Julianna Marguiles is Alicia Florek, the spurned wife of Chris Noth’s ridiculed former State’s Attorney, who had an illicit affair and went to jail for alleged crooked dealings. Now she’s a lawyer trying to make a career for herself—despite her husband’s name—but keeps running into those who either judge her for it, or want her to use the political influence she wants to deny she actually has. Plus there’s a potential love triangle here, so lot’s of pulpy drama.

What Doesn’t: Man oh man the plots be dumb as a post. My biggest problem with The Good Wife is that it isn’t really sure what kind of show it wants to be. A pulpy political/office workplace love drama, or a case-of-the-week lawyer show. Problem is, the cases are very silly and often implausible. There are too many examples to list here, but for one, how about the episode where the building managers in the Floreks’ building just happen to be diamond smugglers? Naturally.

Or the one where an injured plaintiff’s wife just happens to have access to a jury pool, so she can screen for someone who’d be open to a bribe … and then has the mojo to arrange back alley payments to throw the case? Wow. She’s good.

Or that the Florek’s 15-year-old son can detect uneven light patterns reflected back in his dad’s eye in a photograph to prove a steamy, drug-fueled photo was a fake—but all law enforcement missed it. Uh. Yeah. I can go on and on. And why does every case need to be wrapped up each week? Lazy plotting.

Final Thoughts: Despite the show’s inherent flaws, it’s still enough of a fast-paced, love-triangle/political chess match to keep me interested. Good characters with juicy entanglements overcome the silly and often implausible storylines, although there are many times when I cringe at the ridiculous plotting. I will say that the second half of the season was much better than the first, so I’m hoping this bodes well for future seasons. As for the first run, fun trumps logic. But just barely.

Season 1 Score: 6 Stars out of 10

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