Movies

Russ’ 2011 Top TV & Movie Moments

With 2011 wrapped up I was all ready for my annual top 10 lists for best movies and best TV shows.

Well … through a combination of not enough time to get to everything I want to see — I knew fatherhood would slow me down somewhere — and a rather lackluster year of entertainment, I’ll be mixing things up this time around.

Rather than my usual top 10 in each category — TV and movies — what follows is a top 10 list of my favorites — TV, movies, moments and performances — all rolled up into one list. Starting with …

10. James McAvoy and Michael Fassbender in X-Men: First Class – Through  the first three X-Men movies, Patrick Stewart and Sir Ian McKellan raised the characters/performances of Professor X and Magneto to iconic status. The odds of any actors slipping into the earlier life roles — and doing the characters justice — were remote at best. And yet both McAvoy and Fassbender brought the goods, making us believe those formative years were utterly real and how and why they developed into the elder versions of themselves we’re tied to forever.

9. Melissa McCarthy in Bridesmaids – A pretty funny movie in its own right, but Melissa McCarthy steals every scene she’s in. I’ll never look at a bridal shop sink the same way again.

8. Skyscraper Climb in Mission Impossible: Ghost Protocol: I did not like any of the first three MI movies, and Tom Cruise over the years went from movie star to raging D-Bag … and then MI4 hit the theater with a bucket full of holy crap! A generic plot and generally wooden performances, but this movie is two hours of heart pounding action that had me sucked in from the get go. And yet the ultimate show-stopper was watching Cruise’s Ethan Hunt scale the Burj Khalifia in Dubai –the world’s tallest skyscraper – in an aerial scene so visceral and extraordinary I almost blacked out. I don’t know how they pulled it off, but it’s not to be missed.

7. Brad Pitt in Moneyball – It’s tough enough selling a movie about baseball statistics and how they changed the way — to some degree at least — the modern ball club is constructed. But Brad Pitt playing real life general manager Billy Beane brings the goods, with his movie star looks and charm and the right mix of confidence and wounded soul that makes us care just that much more about a boys game run by very wealthy men.

6. Dexter, Season 6, Final Moment – The former best show on TV has become a shell of it’s former murderous self, but (SPOILER ALERT) the final moment of season 6, when our beloved serial killer is plunging his knife into the Doomsday Killer, and Dexter’s sister Deb walks in on him committing the act? FREAKIN. AWESOME. It was a long time coming, and now the final two seasons have an end game in sight we can all sign up for.

5. Boardwalk Empire, Season 2, Final Two Episodes — Though a solid show, Boardwalk Empire has never quite lived up to its hype and potential. But the last two episodes of season 2 is some of the best TV … ever. Intense, shocking and utterly gripping. The layers of psychological madness and intrigue still haunt me weeks later. I’m not saying it’s the best crime show you’ll ever see, but the ending of season 2 would be difficult for any show to top.

4. Homeland, Season 1 – Hands down one of the best political thrillers of all time, with writing and performances that knock your socks off, particularly from Claire Danes and Damian Lewis. From the creator of 24 and former show runner of Dexter, you’ve  got a returned Iraqi war vet — back after 8 years of brutal captivity — trying to resume  a ”regular” life. But has he been secretly converted into a terrorist against the U.S.? Or is the lone CIA operative who’s convinced of his betrayal falling victim to her own mental illness? Or both? Or neither? Tense, intense and just downright amazing.

3. Rooney Mara in The Girl with the Dragon Tattoo – I’m a huge David Fincher fan, and Dragon Tattoo is another winner on his resume. But Rooney Mara sells this movie. She was so utterly brilliant in a grueling role, that it will go down as one of the most iconic performances in history. Like Christopher Waltz in Inglurious Basterds or Anthony Hopkins as Hannibal Lecter, it’s impossible for me to even imagine anyone else sinking into the character of Lisbeth Salander better than Rooney Mara. If she doesn’t win an Oscar, then Oscar should pack up his crap and go home.

2. Breaking Bad, Season 4 – The ultimate high stakes game of chess between high school chemistry teacher/turned meth genius Walter White, and mob kingpin Gus Fring, ended in a battle of wits we haven’t seen Kirk vs. Kahn. Even more so, watching Walt’s wife slowly fall in love with the gangster life, as his protege Jesse struggles to retain his soul despite all the awful things he does, and before our very eyes we’re watching Walt become a modern day Scarface. With only 16 episodes to go, this series can only end one way: with everyone finally breaking bad.

1. Game of Thrones, Season 1 – Essentially, this is a sexy, twisty, bloody, action-packed soap opera version of Lord of the Rings. So, yeah … full blown AWESOME. Going in I had absolutely no interest in Game of Thrones, but by the end of the second episode I was hooked. And it only got better from there. More than just epic fantasy, it’s juicy storytelling on a massive scale. Run, don’t walk. It’s that good.

 

 

Honorable mentions:

The Big Bang Theory, Modern Family, The Good Wife, Rise of the Planet of the Apes

 

 

 

My Pavlovian Batman Response

One day after school, I was only in pre-K at the time, and I was on my way home on the bus. The day was slightly overcast, but I didn’t care. I only had one thing on my mind: get back in time to watch my favorite show.

Do you remember the theme song?

Denna-nenna neh
Denna-nenna neh
Batmaaaaan

It was the cheesy POW! OOF! Adam West Batman, and I freakin’ loved it.

But in one of those rare scheduling snafus, when the bus driver was set to drop me off at the stop, my mom wasn’t there.

 Not good.

 We waited a minute, but then had to move on. More stops to make.

 I didn’t say much, I just sat there on the bus, four years old, not sure what to do. Since this was 1975, in a world before cell phones, the driver took me with him to his other stops, and each time those doors opened and closed—farther from home—I had two thoughts: where’s Mommy and … I’M MISSING BATMAN!!!!!!!!

 Of course, as an adult, the new incarnations of Batman are far more sophisticated than the original show. Michael Keaton’s first Batman movie put the Caped Crusader back on the map. The sequel, Batman Returns, was lousy. And despite its flaws, I enjoyed the Val Kilmer-led Batman Forever, and then the movie franchise just collapsed with the final (and awful) Batman & Robin, with George Clooney and Arnold Schwarzenegger.

Then the animated Batman returned with a darker, more serious edge, and my hero was back again.

And now we’ve got Batman Begins and epic The Dark Knight from the team of Christian Bale and Christopher Nolan, and Batman is cooler than it’s been, maybe ever. Not to mention The Dark Knight Rises is still on its way.

And yet … as my mother often reminds me, when I was that young boy, no matter where I was or what I was doing, as soon I heard that theme song, I would stop whatever I was doing … and freeze.

My eyes would just light up as I heard:

Denna-nenna neh
Denna-nenna neh
Batmaaaaan

 

With a Pavlovian response, to this day, I’m no different.

Funny how some things never change. In this case, I’m totally OK with it.

Batman lives on.

And by the way, on that day back in 1975, the bus driver circled back to my stop, my mom was waiting for me, and I was able to catch the second half of Batman, with action in the Bat Cave, which, of course, was better than not seeing it all.

Russ’ Review: Rise of the Planet of the Apes

Based on the trailers alone, I was not at all excited to see the Rise of the Planet of the Apes. Man, I love being wrong! We have a winner!

What Works: Disregard the trailers. This is not a full blown apes vs. man action movie. This is a mostly character-driven story that centers around Caesar, the Ape that ultimately went from rescued orphan to leader of the Apes. There is a strong emotional center, with a two-pronged approach. Caesar and his maturity/development into “adult,” as he is first raised by, and then rebels against, his scientist/adopted father, played capably by James Franco.

The second is his realization that he — and his fellow apes — have been forced into being “pets,” rather than a “free” tribe allowed to follow their own destiny. I will not give any spoilers here, but Andy Serkis, who provides the motion capture performance for Caesar, gives the character — and the movie — its true heart.

‘Rise’ also takes its time to develop. For us to believe — or suspend disbelief — that these Apes could ultimately secure their freedom with human-level intelligence (and perhaps even greater than that), we need to follow the journey, which has more setbacks than success. We get that. There are a few gaps in logic here, but it is a journey that’s well worth the ride.

What Doesn’t Work: As good as the motion capture was at times, the Apes looked a bit too computer generated at others, which was a slight distraction. Also, the secondary characters, for the most part, were just caricatures, rather than full blown individuals. The “evil tormentors” and corporate baddie were too generic, and some very good actors were mostly wasted.

If I had any frustration with ‘Rise,” is that as much as I enjoyed it, this could have been a classic, and it doesn’t quite get there. With a little more time on the script to flesh out the additional story threads, this version could have risen to the level of greatness.

Final Thoughts: One of the better popcorn sci-fi action movies I’ve seen in quite a while, ‘Rise’ re-instates the ‘Apes’ franchise with a winning formula, with a central figure you can really care about. And while it didn’t reach its full potential, missing out on some opportunities for greatness, I’ll gladly come back for more.

My Score: 7.5 Stars out of 10

Russ’ Review: X-Men: First Class

X-Men: First ClassX-Men: First Class is another thumbs up chapter in the comic-book movie franchise. The first 30 minutes are rousing, and after two plus hours we get the chance to discover how two incredibly powerful minds end up on very different ends of the same spectrum.
What Worked: ‘Class’ is a pure origin story where we follow a young Charles Xavier and Erik Lehnsherr into their evolution to Professor X and Magneto, respectively. The challenge was two-fold: first, take enough time to demonstrate how young men with super-human abilities develop not just their powers, but a code that will define how they view their place in the world–and do so such that we are invested in their evolution. Given the decades of stories we already know about them, this was no small task. And the movie delivers. Big time. Second, was finding two actors who could match the gravitas of Patrick Stewart and Ian McKellan. Once again, James McAvoy and Michael Fassbender, respectively, rise to the occassion. This movie would have failed had they not been as terrific as they were.
What Didn’t: ‘Class’ was a bit long, dragging in places. And the secondary and tertiary characters fell pretty flat. They didn’t necessarily have to shine, but I found them to be almost too silly for the larger story going on around them. I would have liked to have seen a bit more mojo there. In addition, Kevin Bacon’s villain starts out strong, but is surprisingly absent for most of the third act, which I found a bit disappointing, given his role in the larger story.
Final Thoughts: While not quite as entertaining start to finish as the first two X-Men movies, ‘Class’ more than holds its own, and delivered an origin story that could have easily been a waste of everyone’s time. A worthy effort.
My Score: 7 out of 10 Stars

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